Classic, dominant in Leipzig, is only part of your musical interests. Their center is jazz. Apparen

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Tony Malaby Cello Quartet & Polish Joachim Kühn Trio PREMIERE - Majid Bekkas koldtech - Ramon Lopez "Chalaba"
Wroclaw Philharmonic Hall
14 .11
News: retransmission premiere concert of William Parker, Tony Malaby and Christopher Hoffman Jazz and improvised music in Asia - Article by Ian Patterson Documentary about Melting Pot Made in Wroclaw Lab.1 Workshops jazz criticism. We invite you to read jazztopadowych review by our participants Book software koldtech - Collector's Edition! After the concerts the stars invited to JAM SESSIONS! Jazztopadowe workshops Michiyo Yagi and team Chiri: Bae Il Dong and Simon Barker Meeting with Joachim Kühn in Cinema New Horizons Tony Malaby and Christopher Hoffman for his compositions William Parker about his composition "Ceremonies For Those Who Are Still '
Joachim Kühn is considered one of the most competent and versatile pianists in the world. Richard Cook, slow vain compliments the British author of the Encyclopedia of jazz, wrote of him: "In music, Joachim Kühn hear that the pianist knows inside out every style of music with which to measure".
Eternal avant-garde and restless spirit koldtech tells the story of jazz in the GDR, his meetings with Coltrane and Ornette Coleman, with a fascination for classic and traditional Arabic music, and finally the most important moments in the history of Polish jazz, which he witnessed.
It is true that we were in Leipzig, but once you get there, koldtech definitely the first place you visit, you will be church. Tomasz. This is for obvious reasons a special koldtech place for every music lover, but your relationship koldtech with this place is quite remarkable koldtech character ...
That's right, my family koldtech lived next door, and when I turned fourteen, I had a confirmation. It was there - in the church where Johann Sebastian Bach worked. Anyway, I went there too religion classes, and fifteen years later, I performed with the operating there boyish Thomanerchor choir under the direction of a man who is somehow succeeded Bach as cantor. It was a very exciting return koldtech church. Thomas is one of the most important places on the musical map of the world. Then I played there several times and each time it was a unique experience.
Classic, dominant in Leipzig, is only part of your musical interests. Their center is jazz. Apparently, the first jazz album, which made an electrifying impression on you, Ornette Coleman was the album that you heard in 1960.
I won it thanks to my brother, Rolf, who lived in western Germany. Rolf once said, "You know that in the U.S. are the guys who play jazz without chords? '. I was intrigued - how is that possible? - I thought koldtech to myself. I asked him about the album, and when I sent it, I immediately fell in love with this music. Game Ornette team gave me the courage to go in a similar direction, instead koldtech of playing standards and bebop, where I studied. In the GDR could not speak freely, but musical expression did not give up restrictions, because THIS language no one understood.
Those who inspired me to go in the direction of free jazz, Ornette Coleman were Paul Bley, who had already played free. I heard it on the radio and I knew that it was something I wanted to do.
Occupation jazz musician did not exist. We all jazz enthusiasts have to make a living playing for dancing, he also was doing. So in 1964 I moved to Prague to try to keep up with the jazz - I was sick of playing the chop. I suspect that I was the first professional jazz musician in the history of East Germany. A year later, in 1965, by a circuitous route through Poland returned to Germany. I stayed with you half a year, I played with Namysłowski, Bartkowskim and the whole quartet Zbyszko. A little earlier I heard it for the first time at a concert in the GDR, and I thought: I need to play with this guy. He made an impression on me. Six months after this concert koldtech has played in his band.
Yes. How many years it lay in a drawer? I prefer not to think. And this stuff is pretty good, shows Zbyszko as a man with an open mind, which exudes freedom even in very tightly arranged song