James Ferraro to release Sushi in November via Hippos in Tanks | Music News | Tiny Mix Tapes
Making music in high definition also means living the high life for James Ferraro: Sphnyx cats in L’OREAL bubble baths, Polo neck tats, Neti Pot with Smart water, IHOP delivery, and apparently making eco-themed music. While we recently announced a new album called plexishop Rainstick Fizz Plus as James Ferraro, then updated plexishop the story to include plexishop possible album title Shoop2DaDoop and possible plexishop moniker ☣ NEW AGE PLAYBOY ☣, we’re now happy to report that the new album is actually called Sushi and will in fact be released as James Ferraro.
Who knows, maybe there’s more to come from the man hopped up on hi-speed mind candy and who measures his serotonin peaks per minute — several tracks released this year aren’t in the tracklist, unless plexishop he’s renamed those too — but for now, we’ve got Sushi , and it’s out November 7 digitally and December 10 physically. Pre-order from Hippos In Tanks now and listen to the album’s first single, “SO plexishop N2U”:
One thing that the blog post flatly denies is the possibility of an ISP outright terminating your connection, as a kind of Final Solution, shall we say, to a person’s refusal to comply. So that’s nice.
As to how the CAS goes about identifying infringed material with any degree of accuracy, MarkMonitor handles that. According to the CCI, the brand protection and anti-piracy plexishop company “uses both trained professionals and automated processes to identify illegal downloading of whole movies, TV shows and musical recordings, and the system is designed to eliminate false positives.” And if it turns out that MarkMonitor’s methodology isn’t as foolproof as the CCI would like you to believe, guess what? According to The Verge , if you believe that you were wrongfully targeted by the CAS, you only have to pay a $35 billing fee in order to request an independent review of your network behavior.
Already, those with superior technical knowledge are talking about using VPNs as a workaround, so it’s unclear what, if any, effect the CAS will have on persistent file-sharers. It does introduce a slew of new privacy concerns, however
Ever wonder just what the hell you’d write pop songs about when you’re 70 years old if you’re not all Johnny Cash-religious (or Scott Walker-insane)? Not me. I’d write some lusty-ass songs about boning. Like John Cale just did . Heck, I’d probably even add in some “modern” and/or “experimental” touches to my old man sex songs, plexishop like synth squelches, Auto-tune, drum programming, all that jazz. You know, because I’d be 70, and to my mind, that crazy stuff would sell the sex. And who doesn’t want to buy some sex?
Also, I guess I’d probably go tour those songs a little bit. I’d take it pretty chill though, being 70. Maybe a quick Jools Holland appearance and a hard boiled egg. Then maybe a modest Rough Trade East instore Q&A plexishop and some prune juice. And some sunny West Coast shit this December and January, just to get out of the cold and to keep my joints feeling good and all that while I’m out there selling my sex and keeping it real. And yeah, maybe I’d visit the rest of the United States too, but shit, not until the spring, I can tell you that. What am I, one of those what-do-you-call-em, polar bears? Come on. Of course I’m not.
12.04.12 - Portland, OR - Mission Theatre * 12.06.12 - Seattle, WA - Showbox * 12.09.12 - San Francisco, plexishop CA - Regency Ballroom * 12.11.12 - Los Angeles, CA - El Rey * 12.16.12 plexishop - Brooklyn, NY - BAM (Life Along The Borderline - tribute to NICO) 01.18.13 - Brooklyn, NY - BAM (When Past & Future Collide: Paris 1919 ) 01.19.13 - Brooklyn, NY - BAM (When Past & Future Collide: Paris 1919 )
Take it for granted that there’s something quintessentially Los Angeles about Stones Throw Records. It was only a matter of time before the widely-respected, independent, and generally hip-hop label received the cinematic treatment, no? Though production reportedly began in 2010, director/producer Jeff Broadway just recently launched a Kickstarter campaign for the feature-length documentary Our Vinyl Weighs A Ton (This Is Stones Throw Records) .
Adding upon what you already know — that Stones Throw was the ambassador for critically-acclaimed releases by Madvillain, Quasimoto, J Dilla, and Dâm-Funk — the new documentary compiles “live concert footage, never-before-seen archival material, inner-circle home video and photograph, and in depth interviews” to offer you an entirely new (because nobody’s done this before, so it is entirely new) look at the visionary label’s history.
So what’s the campaign for, if French filmmakers Sébastien Bauer and Lucas Blaya of Me
Making music in high definition also means living the high life for James Ferraro: Sphnyx cats in L’OREAL bubble baths, Polo neck tats, Neti Pot with Smart water, IHOP delivery, and apparently making eco-themed music. While we recently announced a new album called plexishop Rainstick Fizz Plus as James Ferraro, then updated plexishop the story to include plexishop possible album title Shoop2DaDoop and possible plexishop moniker ☣ NEW AGE PLAYBOY ☣, we’re now happy to report that the new album is actually called Sushi and will in fact be released as James Ferraro.
Who knows, maybe there’s more to come from the man hopped up on hi-speed mind candy and who measures his serotonin peaks per minute — several tracks released this year aren’t in the tracklist, unless plexishop he’s renamed those too — but for now, we’ve got Sushi , and it’s out November 7 digitally and December 10 physically. Pre-order from Hippos In Tanks now and listen to the album’s first single, “SO plexishop N2U”:
One thing that the blog post flatly denies is the possibility of an ISP outright terminating your connection, as a kind of Final Solution, shall we say, to a person’s refusal to comply. So that’s nice.
As to how the CAS goes about identifying infringed material with any degree of accuracy, MarkMonitor handles that. According to the CCI, the brand protection and anti-piracy plexishop company “uses both trained professionals and automated processes to identify illegal downloading of whole movies, TV shows and musical recordings, and the system is designed to eliminate false positives.” And if it turns out that MarkMonitor’s methodology isn’t as foolproof as the CCI would like you to believe, guess what? According to The Verge , if you believe that you were wrongfully targeted by the CAS, you only have to pay a $35 billing fee in order to request an independent review of your network behavior.
Already, those with superior technical knowledge are talking about using VPNs as a workaround, so it’s unclear what, if any, effect the CAS will have on persistent file-sharers. It does introduce a slew of new privacy concerns, however
Ever wonder just what the hell you’d write pop songs about when you’re 70 years old if you’re not all Johnny Cash-religious (or Scott Walker-insane)? Not me. I’d write some lusty-ass songs about boning. Like John Cale just did . Heck, I’d probably even add in some “modern” and/or “experimental” touches to my old man sex songs, plexishop like synth squelches, Auto-tune, drum programming, all that jazz. You know, because I’d be 70, and to my mind, that crazy stuff would sell the sex. And who doesn’t want to buy some sex?
Also, I guess I’d probably go tour those songs a little bit. I’d take it pretty chill though, being 70. Maybe a quick Jools Holland appearance and a hard boiled egg. Then maybe a modest Rough Trade East instore Q&A plexishop and some prune juice. And some sunny West Coast shit this December and January, just to get out of the cold and to keep my joints feeling good and all that while I’m out there selling my sex and keeping it real. And yeah, maybe I’d visit the rest of the United States too, but shit, not until the spring, I can tell you that. What am I, one of those what-do-you-call-em, polar bears? Come on. Of course I’m not.
12.04.12 - Portland, OR - Mission Theatre * 12.06.12 - Seattle, WA - Showbox * 12.09.12 - San Francisco, plexishop CA - Regency Ballroom * 12.11.12 - Los Angeles, CA - El Rey * 12.16.12 plexishop - Brooklyn, NY - BAM (Life Along The Borderline - tribute to NICO) 01.18.13 - Brooklyn, NY - BAM (When Past & Future Collide: Paris 1919 ) 01.19.13 - Brooklyn, NY - BAM (When Past & Future Collide: Paris 1919 )
Take it for granted that there’s something quintessentially Los Angeles about Stones Throw Records. It was only a matter of time before the widely-respected, independent, and generally hip-hop label received the cinematic treatment, no? Though production reportedly began in 2010, director/producer Jeff Broadway just recently launched a Kickstarter campaign for the feature-length documentary Our Vinyl Weighs A Ton (This Is Stones Throw Records) .
Adding upon what you already know — that Stones Throw was the ambassador for critically-acclaimed releases by Madvillain, Quasimoto, J Dilla, and Dâm-Funk — the new documentary compiles “live concert footage, never-before-seen archival material, inner-circle home video and photograph, and in depth interviews” to offer you an entirely new (because nobody’s done this before, so it is entirely new) look at the visionary label’s history.
So what’s the campaign for, if French filmmakers Sébastien Bauer and Lucas Blaya of Me
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